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Jazz In Motian At Village Vanguard Print E-mail
Paul Motian, Joe Lovano, and Bill Frisell
Sept. 4-Sept. 9, 2007
Sept. 11-Sept. 16, 2007
9 pm and 11 pm
Tickets: $35
Click here to buy tickets

Village Vanguard
178 7th Avenue South (7th Avenue just below West 11th Street)
212-255-4037
villagevanguard.com


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Paul Motian
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Joe Lovano
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Bill Frisell
Paul Motian, Joe Lovano, and Bill Frisell are set to kick off a two-week engagement at the Village Vanguard. With the drummer Motian, the saxophonist Lovano, and the guitarist Frisell on board, who needs a bass player? This magisterial trio can be both poetic and raucous over the course of a set, unafraid to indulge in tonal and rhythmic contusions or coolly bask in lyrical waters.

Although Paul Motian studied drums in the Navy School of Music in Washington, there has never been anything militaristic about Paul Motian's prolific work as a jazz drummer. In the mid-1950s, he played with a host of jazz stars including Stan Getz, George Russell and Thelonious Monk, but his major association was with pianist Bill Evans, both in Evans's trio and as a member of other groups, such as the quartet led by clarinettist Tony Scott.

From the late 1970s, Motian has mainly fronted his own groups, ranging from the excitement of his Electric Bebop Band (which pitted two guitarists against a saxophone player, backed by bass and drums) to more conventional jazz trios and quartets. His long-standing trio with saxophonist Joe Lovano and guitarist Bill Frisell is particularly noteworthy.

Joseph Salvatore Lovano was born in Cleveland, Ohio on December 29, 1952 and grew up in a very musical household. His dad, Tony, aka Big T, was a barber by day and a big-toned tenor player at night. “Big T,” along with his brothers Nick and Joe, other tenor players, and Carl, a bebop trumpeter, made sure Joe’s exposure to Jazz and the saxophone were early and constant.Joe’s mom, Josephine, and her sister Rose were serious listeners, as well, His Mom remembers hearing Big T play opposite Stan Getz and Flip Phillips when they were engaged.

And Aunt Rose went to hear Jazz at the Philharmonic with Ella Fitzgerald when they came through Cleveland. Not surprisingly, Joe began playing the alto at five, switching to the tenor a few years later. By the time he got his driver’s license at sixteen, Joe Lovano was a member of the Musician’s Union, Local 4, and working professionally. He started playing club dates (sometimes subbing for his dad), and Motown cover bands, eventually saving enough money from these gigs to put himself through college.

Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Bill studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music. In this period, he toured with Michael Gibbs and first recorded with German bassist Eberhard Weber. Bill moved to the New York City area in 1979 and stayed until 1989. He now lives in Seattle.


 

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