Wall-E Print E-mail
Written by Michael Portantiere   


Wall-E
Directed by Andrew Stanton
Written by Andrews Stanton (screenplay) and Jim Capobianco (titles)
disney.go.com/disneypictures/wall-e/

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WALL-E
Who could ever have dreamed that video and sound clips from Hello, Dolly!, one of the most notorious white-elephant movies of the late 1960s, would be used without irony and to profound emotional effect in one of the most beautiful and imaginative films of the first decade of the 21st century?

That film is Pixar's Wall-E, and its hero is a big-eyed little robot whose name is an acronym for Waste Allocation Load Lifter, Earth Class. When we meet him in a time many hundreds of years into the future from our own, Wall-E is doing his diligent best to clean up an abandoned, garbage-filled Earth, one trash-compacted cube at a time. Apparently, he's the only moving/functioning thing on the planet,  thanks to his solar-power regeneration unit. His sole companions are  – you guessed it! – the cockroaches, one of whom becomes his special pal.

Wall-E's world is rocked with the thunderous arrival of a spaceship that leaves behind a sleek, white, state-of-the art,  flying bot named Eve (for Extra-Terrestrial Vegetation Evaluator). She has been sent from the Axiom, a huge space station where the human race has taken refuge. Her purpose is to see if our planet, which had been completely trashed as a result of people's rampant over-consumption, is once again capable of sustaining life.

When the smitten Wall-E finds a tiny, spindly plant that has somehow managed to grow in the long-toxic soil of earth and presents it to Eve as a token of his affection, she snatches it and is soon retrieved by the spaceship, which brings her back to the Axiom. Wall-E tags along for what turns out to be the ride of his life   

Throughout, the animation is astounding. This isn't a 3-D movie – but rusty old Wall-E, his beloved Eve, and every other object in the film are rendered so realistically and in such incredible detail that it might as well be. Andrew Stanton's direction is Academy Award worthy, and so is his screenplay. Thomas Newman's score perfectly complements the wonderful Jerry Herman songs “Put on Your Sunday Clothes” and “It Only Takes a Moment” from Hello, Dolly!, which no one who sees this film will ever hear in quite the the same way again.

Wall-E is a true work of cinematic art that also happens to be wildly entertaining, and its title character has already attained iconic status just a few days into the film's release. See it now.

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