MUSIC

Furnaces Turn Up The Heat
Written by Mark Rifkin, twi-ny.com   

Williamsburg Band Plays Fiery Outdoor Show in Queens Sculpture Park


Exclusive photos: flickr.com/photos/twi-ny/sets/72157601634456221

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The Fiery Furnaces play hot show in Socrates Sculpture Park

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Eleanor Friedberger leads killer set

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Matt Friedberger grooves on the organ
In a touching moment of sibling love, a few songs into the Fiery Furnaces’ thrilling set August 26th at Socrates Sculpture Park in Queens, Matt Friedberger got up from his organ and brought his monitor over to his sister, lead singer Eleanor, who was unhappy that her monitor wasn’t working. All the while, the Furnaces continued playing their unique sonic collage to a hot and happy crowd late on a warm Sunday afternoon, the Manhattan skyline visible in the distance behind them. Originally from Chicago but now living in Williamsburg, Eleanor and Matt were joined by drummer Bob D’Amico, guitarist Jason Loewenstein of Sebadoh, and remarkable percussionist Michael Goodman, who banged away on snares, cowbells, and a host of other objects, standing and sweating through the entire fast-paced show.

Initially meant to preview songs from the band’s forthcoming album, October’s "Widow City," the performance instead concentrated on older numbers, opening with a killer suite from last spring’s "Bitter Tea," ripping through such controlled mayhem as “In My Little Thatched Hut,” “Black-Hearted Boy,” “The Vietnamese Telephone Ministry,” and “Benton Harbor Blues.”

Stitching together a few bars of surf music and straight-on rock here, pop psychedelia and new wave there, and plenty of goth punk and whatever else they could think of (did we hear some medieval minstrel music?), often within the same song, appearing, disappearing, and then resurfacing, the Furnaces rarely stopped between numbers, with one song flowing seamlessly into the next as Eleanor’s outpouring of poetic musings recalled Patti Smith while Matt’s alternately grooving and dooming organ wove in and out and back again.

Singing in front of a colorful vinyl curtain of snippets of their lyrics, Eleanor did manage to squeeze one new tune in, “Wicker Whatnots,” shortly before finishing the show with a frantic string of “Blueberry Boat,” “Tropical-Iceland,” “Spaniolated,” “Name Game,” “Birdie Brain,” and “1917.” After the gig, band members hung around the park--which featured a handful of sculptures and a whole bunch of tents--relaxing with friends, family, and fans and, in Eleanor’s case, even signing autographs on a few young men’s arms.


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